#624 – Tremors (1990)

Tremors (1990)

Film review #624

Director: Ron Underwood

SYNOPSIS: Val and Earl are two handymen working in the (very) small town of Perfection, who decide they have had enough and decide to leave for the next town over. However, before leaving, they start to find the bodies of a number of townsfolk. Believing there to be a killer on the loose, they quickly learn that it’s actually the work of giant underground monsters that are picking off the population. Trapped in the town with no communication with the outside world, what remains of the town must band together to see off the threat before they become it’s next meal…

THOUGHTS/ANALYSIS: Tremors is a 1990 monster film. The film centres around Valentine (Val) and Earl, two handymen who live in the small town of Perfection in the middle of nowhere. They have plans to move to the town of Bixby, but on the way, they come across a number of Perfection’s residents who have been killed, and head back to Perfection to warn everyone. It turns out that the killings have been perpetrated by huge worm-like monsters living underground, who are dragging people down to their doom. As such, Val, Earl and the rest of the tiny town must band together to defeat the worm threat. The film has the flavour of a classic 50’s monster movie, harking back to a time when low budget monsters terrorised small American towns. Tremors is not so much a homage or parody of the films of those times, but a mix of comedy and horror that I think is best described as refreshing: it takes the key elements that made those films successful, but recharges them with a burst of energy that makes them feel up to date, with horror that balances tension and gore, while also slanting everything with a sense of humour that keeps things fun, without resorting to the easy parody of those classic films and taking cheap shots at their low budgets and cheap productions. It’s silly and goofy, without being degrading to the horror element, which is a very fine line the film walks well.

Strong chemistry between Kevin Bacon and Fred Ward as the leads really drive the film, and they’re quite different from the heroic, square-jawed leads that we used to get in monster movies. The rest of the supporting cast too feel genuine, and while may be more one-dimensional character, fill out the town’s population with authentic life. The creatures themselves are brought to life with some super cool practical effects that strive more for that classic b-movie feel rather than trying to be “real,” are nevertheless very well done, and they have a very destructive energy and scale whenever they are on screen, lending a strong sense of terror.

On paper, Tremors perhaps looks like another attempt to pay homage or parody the classic b-movie era of science-fiction movies, but it offers a pleasant surprise by exceeding in all aspects of it’s production. The film is kept energetic and fun thanks to it’s cast, and a genuine sense of improvisation that the characters have to do to take on monsters that they have never considered as existing. Balancing the line between horror and comedy exceptionally well, it carves out it’s own path with likable characters and plenty of terror and destruction. It’s difficult to find anything that’s done badly in this film: everything it does, it does well. Maybe it doesn’t quite shake that hokey, cheesy feeling some might get from the classic monster movies, but you shouldn’t be really looking for it to do so. Entertaining, silly, and terrifying all in one, Tremors rarely misses a beat, and is a refreshing take on the genre, rather than a reinvention that is nevertheless a captivating experience.