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#617 – Invisible Mom (1996)
Invisible Mom (1996)
Film review #617
Director: Fred Olen Ray
SYNOPSIS: Scientist Karl Griffin invents a formula that turns people invisible when they drink it. When his wife drinks it by accident, she turns invisible, and without an antidote, can’t turn back. When Karl’s supervisor learns of the discovery, he tries to take the invention and credit for himself, and Karl must find a way to turn his wife visible again…
THOUGHTS/ANALYSIS: Invisible Mom is a 1996 sci-fi film. The plot revolves around Josh Griffin, a kid whose father, Karl is a scientist who is always inventing things. When he invents an invisibility potion that his wife accidentally drinks, she is stuck invisible because Karl is yet to find an antidote. Karl’s invention is stolen by his supervisor, who wants to take the credit for it, and Karl is arrested, meaning that it is up to Invisible Mom to try and save the day. There’s very little else going on in the film: it’s a family-friendly feature with low stakes and minimal danger. The consequences of Josh’s Mom turning invisible include the very usual consequences, including getting back at the bully kid who is picking on Josh, and it’s all very safe and predictable stuff.
In a surprise to no one, this is a very low budget film with not much going for it: having invisible characters probably helps with the cost too. The acting is…fine for what the film is, as no one has to do anything really difficult or extravagant. The characters are very cookie-cutter and are instantly forgettable, engaging in a very unoriginal plot that only very young children might be entertained by. There’s not much else to review in this film: Invisible Mom is a predictable children’s film that makes little to no effort to have fun with with the concept, whether this is due to a lack of imagination in the writing, or a lack of budget to actually do anything other than have people stand around talking. A film about invisibility you’re better off not seeing.
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#505 – Space Truckers (1996)
Space Truckers (1996)
Film review #505
Director: Stuart Gordon
SYNOPSIS: John Canyon is hauling a shipment of hogs to a remote space station. Failing to get paid, he takes on another job to deliver a secret and sketchy cargo to Earth. When John’s truck is hijacked by raiders, they open the cargo and inadvertently release an army of killer robots. John and his crew must stop the robots before they can get to earth and cause untold destruction to the planet…
THOUGHTS/ANALYSIS: Space Truckers is a 1996 sci-fi film that is succinctly described by it’s title: it’s about truckers in space. John Canyon (Dennis Hopper) is hauling twenty-thousand tons of hog fat to Titan Station. However, because he is late, his employer refuses to pay him the full amount. Now broke and without a job, he takes on a seedy contract to take an unknown cargo to Earth. Taking along Cindy, a waitress who needs a lift to Earth, and Mike, a newly qualified space trucker, the three set off with their cargo to Earth in this film that feels so very quintessentially 90′s. The bright colours, comedic tone give off the impression of a typical sci-fi b-movie parody, but there’s more to it than meets the eye. The story is a little threadbare and takes a while to get into the heart of the story, but it takes its time to introduce a fair amount of detail into the world. Regardless, it’s still a fairly simple story to follow, and all the plot points are familiar and fun: it’s basically just trucking in space, but it allows for some entertaining set ups and fun across the board, with even a few twists thrown in to keep things interesting. There’s a mix of comedy, action, parody and even some darker thriller elements in the film, which is a lot to take in, but it handles the constant switching well. The film obviously tries to appeal to a wide audience and not get entrenched too much in one genre or another.
The characters should feel very familiar to viewers: John Canyon, portrayed by Dennis Hopper is the grizzled trucker veteran who teaches waitress Cindy and new driver Mark about the trucker lifestyle (along with the viewer). A host of smaller support characters are vividly brought to life and serve very specific purposes making them stand out, just not in any unique way, and even though the acting can sometimes feel a little flat, on the whole the casting feels pretty solid. In classic sci-fi fashion the world it creates feels different, yet familiar: the diner where one of the opening scenes takes place looks like a typical American diner, but has a sci-fi twist with it being a zero-gravity “wheel” shape obviously inspired by 2001: A Space Odyssey. We don’t get too much information about what it is like on Earth, but that perhaps enhances the feel of being a trucker; out on the road far from civilisation.
For a middle-of-the-road sci-fi movie that meanders between action and comedy, Space Truckers has an impressive amount of effort put into it’s designs and production. The models used for the spaceships have plenty of detail to catch your attention, and they look very sturdy. The killer robots were designed by noted Japanese illustrator Hajime Sorayama, who specialises in these types of creations, and again they are brought to life brilliantly, both in terms of their construction and their choreography. There are some weaker elements in the production though: the CG is pretty bad, but thankfully it is used very sparingly, and the majority of the effects are practical. Also you can often see the strings attached to the actors when they are “floating” in zero gravity. These are minor things that don’t really distract from a fun experience though. Space Truckers isn’t ground-breaking, but it’s a good mix of genres that makes an entertaining watch, that quietly stands out in terms of some of it’s production and design.
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#401 – Sonic the Hedgehog (1996)
Sonic the Hedgehog (1996)
Film review #401
Director: Kazunori Ikegami
SYNOPSIS: Sonic the Hedgehog is visited with an urgent message from the President of Planet Freedom. When he goes to visit him, Sonic finds none other than his arch nemesis Dr. Robotnik, who actually wants Sonic’s help in destroying Metal Robotnik, a robot who has taken over the city of Robotropolis, where the generator for the city is about to go critical and endanger the whole planet unless Sonic can go and defeat Metal Robotnik and shut the generator down. Meanwhile, Robotnik has his own schemes at work, including one for a certain “Hyper Metal Sonic”…
THOUGHTS/ANALYSIS: Sonic the Hedgehog is a 1997 animated film made from a two-part Original Video Animation (commonly known as OVA) released in Japan. The story opens up with Sonic and Tails relaxing on a beach when they are visited by an owl who is only referred to as “the old man.” He tells them that the President of Planet Freedom wishes to see them urgently. When they arrive, Sonic and Tails find their nemesis Dr. Robotnik there, who actually wants their help. Robotnik has been forced out of his home of Robotropolis by Metal Robotnik, and the generator in the city will overload and destroy the planet soon if it is not shut down. Sonic and Tails agree to do it, and travel to Robotropolis. The story throws you into the middle of this world with little explanation of what is going on (with the brief exception of the world being divided between an upper world of floating islands, and a lower world of darkness where Robotropolis is). That’s not necessary a problem though, as a blue hedgehog that runs really fast doesn’t need too much of a backstory or exposition to engage the viewer. The characters are recognisable and act more or less how you would expect them too, so you get what you would want in that respect in a movie about the video game character.
Sonic and Tails arrive in the lower world of darkness and encounter Metal Robotnik, and battle takes place in the ruins of what seems to be New York City, suggesting planet Freedom is actually Earth in the distant future. The action is fast-paced and delivers what you’d expect, with lots of running and jumping all over the place. Sonic and Tails are saved by Knuckles, who again is more or less the character you would expect him to be. The second part of the film sees Sonic facing off against “Hyper Metal Sonic,” a robot version of Sonic created by Robotnik. There’s not too much to say about this part of the movie, as it is more or less a straight-up fight between Sonic and Metal Sonic, with the other characters sometimes interjecting. Again, this isn’t so bad in terms of the characters and world themselves don’t need to have a comprehensive story mapped out for you. I think it more or less delivers what it needs to, but since it clocks in at under an hour, it feels like there’s a lot more that could have been done.
As mentioned, this movie was composed of a two-part Japanese animation, and re-edited into a single movie for an English release. The dubbing industry at the time was not particularly great, but the English voices are all pretty terrible. Sonic sounds very nasally, but has a bit of the attitude you would expect him to. Tails sounds awful and always sounds like he has a cold. Robotnik’s voice is fairly decent, and sounds fairly similar to the voice he has in the video games that preceded this movie. The animation as well often feels cheap and fragmentary with a lack of frames making the animation feel rough, which destroys any sense of speed and fluidity that the movie really needs to show off Sonic’s speed. A lot of the expressions of the characters and their style or reactions are those that are typical of Japanese animation, and don’t really translate too well. This is again an issue around the early dubbing industry still finding its feet with how to approach the Japanese animation style.
Overall, Sonic the Hedgehog is a brief foray into the world of the titular character. It doesn’t establish any deep story elements or incorporate any of the stories from the games, but relies on the recognisable characters doing what you would expect them to, and leaves the detail of the world to the imagination. The quality of animation and voices really hampers the feel of the film at points, and the style of animation is awkwardly interpreted at times, but there’s some decent action scenes, and portrays the characters in a way that one would more or less expect.
