-
#623 – Invisible Dad (1998)
Invisible Dad (1998)
Film review #623
Director: Fred Olen Ray
SYNOPSIS: Andrew Bailey often moves around the country thanks to his job, with his son Doug. Arriving in their new home, Doug finds a strange device in the garage left by the former occupant. Hooking it up to his computer, he finds it can grant his wishes whenever he wears the headset to communicate with it. When he inadvertently turns his dad invisible, chaos ensues as Doug has to find a way to turn him back.
THOUGHTS/ANALYSIS: Invisible Dad is a 1998 sci-fi children’s film. It is somewhat a sequel to the 1996 film Invisible Mom by the same director, but features none of the original cast or settings. Invisible Mom II was released in 1999 (reviewed previously) is perhaps the true sequel, as it features the original cast and continues their story, so this film just exists in a strange void with no real continuity to the “franchise” (if we can call it that). Anyway, the plot this time concerns Andrew Bailey and his son Josh, who have to move around often due to Andrew’s work as an architect. In their new house, Josh finds some strange inventions in the garage left by the former occupant, one of which he hooks up to his computer. It turns out that this computer can grant any wish by simply speaking into the headset. By anything, I mean anything: Josh manages to make food appear out of thin air, teleport a model directly to his bedroom, and even travel back in time. When Josh’s Dad finds out about it, he tells him to destroy it because it causes too much trouble. Unfortunately, Josh wishes his dad would “just disappear” just before he destroys the device, and he turns invisible. With no way to turn back visible, they must find a way to fix the device.
There’s inherently some issues with the story here: The most glaring one is that Josh finds a device that can do anything: time travel, make anything appear, the works. The fact that the film is just about one man turning invisible is a bit underwhelming when you’ve already established everything else. Josh tries to plead with his Dad that they could print infinite money or anything, but he simply says it is too much trouble, which is a very weak cop-out. The film goes through all the expected tribulations of being invisible, with no real surprises in that regard. There’s a scene where Josh and his Dad are at a restaurant, with Andrew covered in clothes to hide the fact that he is invisible, and they are constantly interrupted by a man who cracks mean-spirited “jokes” after every line of dialogue; I mean, really nasty remarks about how ugly he probably he underneath all those clothes. It’s really odd for a kid’s film. Anyway, on top of the whole invisible thing, there’s also the sub-plot concerning Andrew’s job as an architect, and him needing to turn visible before his colleague steals his idea, and also before said colleague contracts a dodgy builder to build the project using sub-standard materials that will probably collapse and kill whoever is inside. Add in the romance sub-plot, and also the inventing partner of the guy who made the device, who now resides somewhere in the jungles of Africa, and you’ve got a film that is trying to do way too much. Lots of the plot elements get lost in the mix, and the whole invisible thing doesn’t really get enough time or attention to be interesting.
The characters don’t really have anything interesting about them: Josh is a typical lead whose Mom has passed away and he carries around a photo of her and such. It’s not too traumatic for kid’s. His Dad is a workaholic, and doesn’t take kindly to being invisible. There’s also Sandy’s teacher, who he tries to set up with his Dad, who doesn’t really have much of a role to play. However, Josh keeps constantly telling us how hot she is in his narration, which is a bit weird for a kid. Combine this with the pretty dire acting, and you’ve got nothing redeemable on this front.
Aside from the previously mentioned scene of the men-spirited harassment in the restaurant scene, there’s other parts of the film which are morally dubious too. there’s the dodgy contractor who is planning to kill Andrew to get his cheap material on the project he is working on, which never gets beyond meagre threats, but is still an odd addition. There’s also a part of the film where Josh literally goes shoplifting for computer parts, and his caught and thrown in jail. His teacher then breaks him out, and Josh’s Dad just overlooks his shoplifting, because he was doing it to “help him out,” which is a pretty weird message to be giving out in a kid’s film, and also since his character has already been established as not wanting to get into trouble.
Overall, Invisible Dad is a mess. It throws too much into the mix and ends up creating a directionless mess. Even for a kid’s film, there’s just nothing interesting or imaginative for them to latch on to, and I doubt that it would keep their attention long enough. Probably the worse of the invisible trilogy if I’m honest, as while the original had barely anything going on in it, it was at least easy to follow and mostly harmless, whereas Invisible Dad is all over the place, mean-spirited in parts, and sorely lacking in humour or charm.
-
#622 – Invisible Mom II (1998)
Invisible Mom II (1998)
Film review #622
Director: Fred Olen Ray
SYNOPSIS: When a millionaire passes away, his long-lost grandson Eddie becomes the heir of his fortune. Unbeknownst to him, he is stuck in an orphanage while the hunt for him goes on. He is fostered by the Griffin family, learning that Mrs Griffin has the ability to turn invisible when she is angry, thanks to one of her husband’s inventions. However, Eddie’s cousins take him away to adopt him so that they can claim the inheritance, and the Griffin’s must conduct a rescue before it’s too late…
THOUGHTS/ANALYSIS: Invisible Mom II is a 1999 sci-fi children’s film, and the follow up to the 1996 film Invisible Mom. two years after the events of the first film, we open to…something completely different, as a man lies dying in bed. His nearest family members eagerly await his death so they can claim his vast fortune, but upon learning that their young cousin Eddie is alive somewhere in Foster care and he will get the entire fortune, they hatch a plan to find and adopt him…and eventually kill him like they have the rest of the family to get their hands on the fortune. The plot is a fairly standard one for a kid’s film that’s simple enough to follow, and has distinct, yet goofy villains. It should also be noted that it actually has a plot, unlike the first film, in which barely anything happens other than Mr Griffin’s boss tries to take credit for the discovery.
Speaking of which, it turns out that the antidote Mrs Griffin took to turn visible again was only partially successful, and she still turns invisible when she gets angry…yes, I’m going to go for the obvious joke here: she’s basically The Invisible Hulk. The ending of the first film is hand-waved away, with the formula apparently being taken by the U.S. military and that’s the end of it. You might expect a familiar scenario of Eddie being angry or rebellious about his new foster home but…he seems to quite like it immediately: everyone is quite nice to each other all around, and there is no conflict anywhere: even when Eddie decides to try and clean a stain on Josh’s jacket with a handheld buzzsaw (????), Josh just shrugs and says he didn’t like it anyway. Again, I know this is a children’s film, but I’m sure it’s okay to have a bit of conflict and tension somewhere? The Griffin’s themselves are mostly unchanged from the first film: all the same actors return, although Josh is notably older now as he is a teenager, but we don’t get any exciting new character arcs or development for them.
Eddie’s cousins turn up to adopt him as his only living relatives and to take him to their home, with the intent of killing him off and collecting the inheritance. Josh stows away in their car, and when his parents learn of it, they must conduct a rescue, and Mom has to turn invisible to rescue them. It’s noteworthy that Mrs Griffin barely turns invisible: just three times, the first only happening half-way through the film. Eddie’s cousins as the villains are probably the stand-out characters: they really chew the scenery every time they’re on screen. Bernard is played by Micky Dolenz of The Monkees fame, and really has a voice that you can’t help but listen to. The last part of the film is essentially just Eddie and Josh running about the villains mansion (why do they need the inheritance when they clearly live in a mansion?) while they try to off the children. It’s not terribly exciting, and as mentioned, there’s not much of any “invisible Mom” shenanigans that add anything to the formulaic plot. Despite all these criticisms, it is well acted, with Dee Wallace as invisible Mom, Micky Dolenz as mentioned, and Justin Berfield as Eddie, who would take the role of Reese in Malcolm in the Middle a year or so later. the film tries to have a bit of fun, but loses its way the moment it tries to veer outside the very formulaic plot. Nevertheless, it is an improvement over its predecessor, if only for the reason there is a bit of a story. Still not a great film, and certainly not for anyone other than young kids who can overlook the gaping plot-holes.
-
#581 – Deep Impact (1998)
Deep Impact (1998)
Film review #581
Director: Mimi Leder
SYNOPSIS: A reporter who is investigating the resignation of the Secretary of Defence stumbles on a much bigger story than she expected, and forces a public announcement from the President: A large comet is due to collide with the Earth and cause huge destruction. While a last-hope mission to the comet is being prepared, there are also plans to make sure humanity survives if the comet actually makes it to the planet…
THOUGHTS/ANALYSIS: Deep Impact is a 1988 sci-fi disaster film. It is perhaps most notable for being released in the same timeframe as Armageddon, a similar disaster film also about a comet heading for Earth. The two have slightly different angles and tone though as we shall see. The film opens up with journalist Jenny Lerner investigating the resignation of the Secretary of Defense. this leads to her discovering (inadvertently) that there is an Extinction Level Event threatening the planet, which forces the President to disclose to the world that a comet is on a collision course with Earth. It’s a fairly typical disaster film after that, with the film focusing on a mission to try and destroy the comet, and also balancing that with the human stories of the characters caught up in it. This film, more so than Armageddon, focuses on the latter, with the different characters roles and responses to the impending catastrophe being the primary focus. The main issue with this, however, is that it focuses on human drama, and it chooses the most boring of said drama to show us. The main character is constantly awful: the way she treats her dad for no real reason is childish and nasty, and even when she does something good and heroic, the way she does it hardly redeems her. probably the most interesting thing about the film is the space mission that is sent to destroy the comet, which provides a decent amount of action, but their mission ends half way through, and then their whole story arc just becomes irrelevant until the finale. In fact, the film pretty much runs out of steam at the halfway point, and just gives up at the same time that the characters give up trying to stop the comet. The film mentions a lottery that will choose the people that will be allowed to survive the impact, but doesn’t really explore the impact of this, and the usual riots and breakdown of society which usually occurs in these types of disaster films apparently just does not happen, or at least we never see on screen, which is odd to just gloss over, even if it’s something we expect and have seen many times before.
Apart from the main character, the rest of the cast are similarly uninteresting. The weirdest ones are the teenage couple who constantly act like they’re a middle aged couple. They get split up but then reunite later in a pointless diversion, and their whole characters just feel off. you could easily cut them out of the film and lose nothing. The crew aboard the “Messiah” spacecraft likewise don’t have that much development or interesting things happens to them on a character development level. Another aspect of the film that I thought was odd is the focus on journalism and the media at a time of catastrophe. I get it in part, because the main character is a reporter, but nearly everything is done through the media and TV stations, and the film feels like it wants to “glorify” the role of the media and journalism in times of disaster and it being almost the centre of importance, which just feels a bit…wrong and dirty in some way. Maybe the film had to emphasise the significance of the media because it got the rights to use the MSNBC likeness for the backdrop, but either way, it made the film feel like it was focusing on the wrong things, and if the film wanted to focus on the “human” element of catastrophe, then doing it through the lens of the media just obfuscates that.
There are some moments in the film which are decent: the comet striking Earth and the destruction scenes are well done, and it gets some of the emotional scenes right, but these often have no impact on the characters themselves. The science is a bit more accurate than a film like Armageddon, but I’m not sure how much that would matter to the average film-watcher.
-
#537 – National Lampoon’s Men in White (1998)
National Lampoon’s Men in White (1998)
Film review #537
Director: Scott P. Levy
SYNOPSIS: Two low-ranking garbage men are abducted by aliens that intend to launch a full-scale invasion of earth. They manage to escape, but are immediately recruited by the government to put a stop to the invasion. However, there are mysterious forces at work that do not want them to succeed…after all, who would put two garbage men in charge of saving the world?
THOUGHTS/ANALYSIS: National Lampoon’s Men in White is a 1998 sci-fi comedy film that is unsurprisingly a parody of the 1997 film Men in Black. The film centres around two garbage men, Roy DuBro and Ed Klingbottom, who are abducted by aliens led by Glaxxon, who intends to invade the Earth with his army. They manage to escape the alien’s clutches, but are almost immediately recruited by the government to stop the invasion by Dr. Strangemeister, who has secretly selected the lowest, most inept government officials to deal with the invasion and fail, since he is secretly working with them. The film is, as the title suggests, a parody of the man in Black film that was released a year earlier, but it is a very loose parody, poking fun at other science-fiction films including Independence Day. The plot is very simple, but it’s just a vehicle for all the gags and comedy, so it’s easy enough to follow. The one thing I’m not sure about is who this film is really aimed at: it has a P.G. rating, and there’s no real adult humour or language, but there’s a fair amount of references that younger viewers probably wouldn’t get. If you’re watching it as a Men in Black parody, there’s enough references throughout the film, and plenty of visual gags that, while nothing special, are still decent. There’s a fair amount of more subtle gags, such as the scenery changing through the President’s windows every scene, which is quite funny, and it reminds me of the Naked Gun films in that no one ever references them. The mix of visual gags, fourth-wall breaking, and slapstick humour is a lot of different techniques that makes threading the film as a whole together problematic; but again, as it’s a comedy-parody film, you can probably just enjoy it for the different gags. Having the National Lampoon’s title attached to it also suggests it would be targeted for an older audience as many of the films are, but I don’t think this is meant to be the case.
The film was produced by Saban International, who most notably do the Power Rangers series, and the aliens and effects definitely have that look and feel about them. Karim Prince, who plays Roy DuBro, also starred in one of the Power Rangers series. There’s a decent mix of CG that doesn’t look too bad for the time, and practical effects that work fairly well. Overall, the film is a mish-mash of different gags that doesn’t really tie together too well, but has a few good jokes (like the scene which makes fun of the Men in Black “neuralyser” that wipes memories). I think the cast is decent enough (apart from the lazy German stereotype of Dr. Strangemeister), but they’re not given too much to do other than delivering bad jokes. It’s not a gripping film, and there’s very little of substance, But I guess for a family film there’s different references and humours for different viewers so I suppose that’s good? I’m not sure anyone who hasn’t watched Men in Black or Independence Day or the like will really appreciate or enjoy it, and it’s references make it a dated film that diminish the humour of the film to modern viewers.
